Tag Archive: Sufjan Stevens

[video] Sufjan Stevens – Too Much

Sufjan is making his rounds after releasing The Age of Adz last month.  He performed “Too Much” on Jimmy Fallon last week wearing angel wings and dancing strangely with a bunch of his friends playing along with him, also adorned with ridiculous outfits.  It was interesting to watch – that’s for certain.  On the heels of that performance the actual video for “Too Much” was released, and it’s overflowing with stop motion dance moves, bright colors, wardrobe changes, and an endlessly bored Sufjan.  (And I think the bald guy might be his brother.)  If I made a song this good, I’d like to think I’d seem happier about it.  Then again, maybe it’s commonplace for him.  Check it below [via Pitchfork].  The Age of Adz is out right now [video] Sufjan Stevens   Too Much.

[mp3] Friday Quickies

This afternoon’s post is more of a mish-mash of stuff that hasn’t affected me enough to make me write a whole bunch about them.  I’d try to make something clever out of it – something in the vein of Tsururadio’s Tsuruloosies – but I’m not feeling particularly creative this afternoon either.  Despite the fact that it was only four days, this workweek has been particularly long.

So, here is a quartet of songs.  I’ll give you all minimal background and opinion; you make your own judgment calls:

200px Sufjanstevensageofadz [mp3] Friday QuickiesSufjan Stevens – Too Much (mp3) from the forthcoming The Age of Adz

Not a Dave Matthews cover, but the second track to see the light of day from Sufjan’s forthcoming album.  Some, like Hipster Runoff and We Listen For You, are less than thrilled.  I’m ambiguous at best.  The Age of Adz is due out on October 12 via Asthmatic Kitty.  You can pre-order it now in various formats.

summer camp [mp3] Friday Quickies

Summer Camp – Veronica Sawyer (mp3) from Young EP

Brooding, nostalgia pop from Jeremy Warmsley and Elizabeth Sankey, named after Winona Ryder’s character in Heathers.  Reminds me of an updated Suzanne Vega after a couple of listens.  Their Young EP is out now via Moshi Moshi.

200px Illumination   Miami Horror [mp3] Friday QuickiesMiami Horror – I Look To You (feat. Kimbra) (mp3) from Illumination

What summer ending sounds like.  If this had gotten to me a bit earlier in the summer, I would probably have been more excited about it.  Now it just serves to make me sad.  The Australian electro-pop group’s most recent effort – Illumination – is out now.

tmoe 450x450 [mp3] Friday QuickiesThe Tallest Man On Earth – Like the Wheel (mp3) from Sometimes the Blues is Just a Passing Bird EP

This feels like something I should like, but I just can’t get into it.

[mp3] Sufjan Stevens – I Walked

AKR077 AoA 350 [mp3] Sufjan Stevens   I WalkedIn the past week, Sufjan Stevens has gone from a guy who hadn’t released an album of his own in 5 years, to the most talked about artist on Hype Machine.  I suppose that releasing a phenomenal EP and announcing a new album in successive weeks will put you at the forefront of everyone’s minds.  Just yesterday Stevens announced the release of his newest album – The Age of Adz (pronounced ‘odds’) – on October 12th via Asthmatic Kitty, and with it a new track.

“I Walked” is the fourth track on the upcoming album; it’s mid-tempo (it seems like most of his tracks are, however), displaying Stevens’ easygoing tenor, and backed with a looping beat and soaring background harmonies.  For me, it’s not as arresting as the recent EP, but it’s still damn good.  You can pre-order The Age of Adz over at Sufjan’s Bandcamp page – where he’s also streaming a good portion of his back catalog as well, and get your tickets for Stevens’ fall tour dates as well.

Sufjan Stevens – I Walked (mp3) from the forthcoming The Age of Adz

[mp3/review] Sufjan Stevens – All Delighted People [EP]

3357571954 1 [mp3/review] Sufjan Stevens   All Delighted People [EP]I have never considered myself a fan of Sufjan Stevens.  Like most people who have heard it, I like his seminal “Chicago” – a lot.  (So much, in fact, that I included it as a part of my 1000 Minutes.)  But the rest of his catalog has never been particularly intriguing to me.  He can seem preachy or just downright strange at times, which can be off-putting.

And then this past Friday, he released a new EP out of the blue.  I haven’t heard of anyone who expected it, it got him trending on Twitter, and has sent the blogs world alight with buzz.  I was away this past weekend, so I didn’t get the EP until I got home yesterday, expecting to listen a couple of times and not be particularly impressed.  And, in one of the few times I’m not ashamed to say it: I was wrong.

The new EP – entitled All Delighted People – is more of an album than an EP, clocking in at nearly 60 minutes.  Two of the eight songs on the EP stretch over the 11-minute mark – one at over 17 minutes – and there are two versions of the same song, which is probably why it feels more like an EP than a fully realized album.  But it’s an EP that unfolds gradually; while it doesn’t take long to recognize the beauty contained therein, it becomes much more rewarding as it’s repeated.

There are plenty of tracks that standout; in fact, there isn’t really a single misstep.  Even the two versions of the title track are both excellent in their own ways.  But the real winners here are the gorgeous and soaring “From the Mouth of Gabriel” and the sprawling, marathon of the 17-minute “Djohariah.”

If you haven’t yet, make certain to get the EP over at Sufjan’s Bandcamp page.  It’s the best $5 I’ve spent on music so far in 2010, and it’s one of the best surprises I’ve had to this point in the year.  We don’t have a rating system in place here at Tympanogram, but if I worked for Pitchfork, I’d give All Delighted People a rating as “Best New Music” and a solid 9.3.

Sufjan Stevens – From the Mouth of Gabriel (mp3) from All Delighted People EP

1000 Minutes: Andy #41

 1000 Minutes: Andy #41I’ve been enamored with the new-ish Mos Def/Talib Kweli video “History” since seeing it over at Wine & Bowties, which is an excellent blog, by the way.  It’s quicker than we are – several posts per day regarding anything that the authors deem worthy.  Anyway, there’s something about that track I can’t take in, and the video fits it perfectly.  That has nothing to do with my 1000 Minutes post for this week, which sees me getting close to filling 400 of my allotted minutes.  Let’s get into it.

83. Doves – Black and White Town (mp3) from Some Cities 1000 Minutes: Andy #41 (4:15) [Time Remaining: 610:21]

Out of the two of us, Dave is obviously the bigger fan of Doves – based on the fact that he has two of their songs on his own 1000 Minutes list, as well as his ranking of their 2009 album on his personal best of the year list.  That’s not to say that I dislike Doves; I just don’t respond to them in the same way.  In fact, Some Cities – the album “Black and White Town” is on – was given to me by Dave.

“Black and White Town,” the first single from Some Cities, grabbed my attention immediately.  It’s upbeat, atmospheric sound propelled it to the UK Top 10 after its release in 2005, and it’s been in my personal rotation since I heard it.  I run to it (when I get around to doing that), drive to it, drink to it.  It’s a multi-purpose song that enhances any task – regardless of how menial it might be.  And while I don’t attach it to any specific time or memory, its impression is equally as lasting.

84. Sufjan Stevens – Chicago (mp3) from Illinoise 1000 Minutes: Andy #41 (6:05) [Time Remaining: 604:16]

If I could choose where to have been born, it undoubtedly would have been Chicago.  Despite my love for the Mets, I can handle New York only in small doses, but when I’ve been to Chicago, the feeling has been entirely different.  From the Art Institute to architecture boat tours to a trip through the buildings on the Brown Line, I can’t say enough about it.

Sufjan Stevens’ “Chicago” is equally as vibrant and welcoming – at least to me.  It’s a song to escape to and escape with; its love affair with the open road and change isn’t uncommon in American music or culture, but there is hardly another song that I so easily identify with – and so strongly at that.