Tag Archive: Free

[mp3] Best Coast // The Only Place

Best Coast The Only Place Cover [mp3] Best Coast // The Only Place

Prior to our first go ’round at Toronto’s North By Northeast in 2010, we were able to secure an interview with Bethany Cosentino of Best Coast. How that happened for a minor music blog is no small miracle, but I remember Cosentino being likable during our time on the phone with her. (We don’t ask hard hitting questions either.)

The reason I’m relaying this story is this: was it obvious all along that Cosentino + Co. just weren’t that interesting? Because after hearing “The Only Place,” the title track from their new album which is out on May 15th, I’m wondering if we all just glossed over it the first time around. I know there was something good there, because “Boyfriend” is still a great song, as is “Sun Was High (So Was I).” But even then, I suppose I would have to admit that they are lyrically lacking. It’s just that, on “The Only Place,” it seems as if we’ve all been treated to a fourth grader writing songs for her family. Also gone is the lo-fi haze of the band’s previous work, replaced with a sunnier disposition and brighter guitars.

“The Only Place” reveals Cosentino’s love of California, although that fact has already been made clear by combining a) her band’s name with b) the visual clue of California on the cover of her first album. If you listen to the song too much, you just might get the feeling that you’re a sucker for living anywhere else. I can see this being a real crowd pleaser for shows outside of Cosentino’s home state.

Granted, lots of people write songs about where they’re from; New York City and Chicago are constantly repped in song. That said, if you listen to “Empire State of Mind” and then listen to “The Only Place,” which would you ultimately choose?

The Only Place, the album, will be out on May 15th via Mexican Summer, if you’re still looking forward to hearing it.

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Best Coast // The Only Place [mp3] from the forthcoming The Only Place

[interview] Spanish Prisoners

spanishprisonershazy [interview] Spanish Prisoners

Months ago, when I first found the band and began swooning over their music, frontman Leo Maymind of Spanish Prisoners sent me an email. Since that time we’ve been talking back and forth about a show in Rochester, world peace, and a potential interview. With that formerly hypothetical show turning to reality this evening, I figured it was about time to move on the interview as well. In typical fashion, I procrastinated and just got these few questions to him at the last minute. I tried to keep it brief since they are on the road with spotty internet service, but ever the sport, Leo sent over his answers. Here they are.

I’ve read a little bit about the formation of the band, but could give us the brief version of the Spanish Prisoners origin story?

I started the band a while ago, around 2008, as a bedroom recording project. I had a lot of ideas that I wanted to try out and I knew nothing about recording. It was impetus to learn some software I had and try to figure things out on my own. I also played some solo shows and a few shows with friends of mine, but nothing really too solidified.

[mp3] Spanish Prisoners // November Third

Your first record Songs to Forget came out several years ago, how has the band and your sound changed leading up to Gold Fools?

The band has changed pretty dramatically- now its a consistent four piece that has been together for almost three years. It took us a while to figure out our individual roles and how to play to our strengths. Our drummer Mike was initially the bass player, and our bassist James was playing second guitar. We shuffled things around a bit till we landed on this particular configuration. The recording stretched over two years and the band was evolving that whole time.

You’re coming towards the end of a fairly lengthy tour in support of Gold Fools, is this the first tour like this you have embarked upon? Is this something you would like to do more of, or is there another direction you’re leaning towards with the band?

This is the first tour we’ve done. It’s been really rewarding so far and its been great to meet new people in every city. It has been fairly lengthy though, and unfortunately we’ve all gotten sick at various points throughout the tour, which has made things slightly harder. Overall though I think we’re really enjoying it. It’s a totally different experience playing to people in Arkansas than it is playing in New York. I think you can gauge people’s reactions much more naturally.

What are your plans for the near and distant future?

We definitely have more touring on our agenda, but we are also going to try to work on a new record when we get back to Brooklyn. We have about half of it written and I think that is the most pressing thing right now, as it’s been a while since we’ve really been able to be creative and write. We will probably try to do another tour of some sorts in summer. And I know I’m gonna be drinking a lot of iced coffee. That is my top priority.

If you live in Rochester, it would be a shame for you to miss the opportunity to catch this supremely talented band at Bug Jar, and to repay them for all the free music they’ve given us. Andy and I will both be there, and so should you be.

[video] Bear Driver // Big Love

Bear Driver is a six-piece band that dredges up the mid-90′s rock that I loved so much. They sound like they’re bored with the whole experience, and that’s exactly what makes them endearing. “Big Love” is the Leeds-based band’s newest single, which was released yesterday on Adventure Club. The band has a full-length coming out later this year as well, and judging by what we’ve heard to this point, that will be one to keep an eye out for.

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[stream] Japandroids // The House That Heaven Built

japandroids the house that heaven built single cover [stream] Japandroids // The House That Heaven Built

Vancouver’s Japandroids don’t make complicated music. I mean, it’s more complicated than I could create or play since I don’t play a single musical instrument, but in the grand scheme of rock, a two-piece consisting of a guitar player and a drummer has its sonic limitations. Luckily, Japandroids play the sort of unencumbered-by-limitations music that sears its way onto the listener’s soul with it’s volume and enthusiasm.

“The House That Heaven Built” is the first taste from the duo’s upcoming album, Celebration Rock, which was released to the public yesterday, and it absolutely rips. It’s bolstered by the pair’s hallmark wall of noise – all guitar fuzz and drums – and while the vocals seem a little more raspy than they did on 2009′s Post-Nothing, “The House That Heaven Built” is a whirlwind. It displays the the kind of joie de vivre that’s too often lacking from the rock musical landscape.

Celebration Rock is due out on June 5th, and it’s available for pre-order right now on black or red vinyl (limited to 1000 copies on red), along with “The House That Heaven Built” on clear 7″ vinyl. The 7″ single is the next in the band’s singles series, all of which have been limited to 2000 copies and all of which have sold out. The single is backed with a cover of Nick Cave & The Bad Seeds’ “Jack The Ripper.”

Japandroids is also heading out on an extensive tour around the album’s release, which is to be expected. Head over to their website to check out where they’re headed, the closest of which is Toronto for me. Road trip!

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[video] The Horrors // Changing The Rain

I didn’t pay any attention to The Horrors’ album, Skying, from last year. I honestly don’t think I listened to it once. Whether or not I might be missing something is for you all to chastise me about, but based on this song, I’m not certain if you’ll convince me to give it a chance. The video itself, for “Chasing The Rain,” is an animated, interstellar head trip. Maybe it’s your kind of thing. Maybe I’m just missing the attraction.