This has been a fantastic year, not only for music, but also for me personally. I found an outlet for gratuitous and utterly pointless swearing (Fuck yeah!) in the world of indie music blogging. And Andy and Dave were nice enough to deal with these random outbursts and generous enough to give me a creative outlet (outside of my daily world of print journalism).

So with that, I present my top 10 albums list of 2011. (And yes, I realize that 12 is not 10, but I really, really couldn’t see myself eliminating any of the albums on this list. Each were important or memorable to me for various reasons that will be explored/expounded upon shortly…)

12. Wye Oak // Civilian

Wye Oak’s The Knot is one of my pantheon albums. It’s one of those albums that I will always come back to no matter what. To say that I was eagerly anticipating Civilian would be a huge understatement. And when the album was released, I was very pleased, but it didn’t blow me away like their previous two full-lengths. But this album is a grower and after repeated listens, I can honestly say that it is a bold step forward for the Baltimore duo. I can’t wait to see what the future brings.

Wye Oak // Civilian [mp3] from Civilian

11. Florence + The Machine // Ceremonials

I loved Lungs, but I love Ceremonials even more. The subject matter and content are darker. It represents a bold step forward for Florence Welch. Just listen to “Shake It Out.” That is an epic song in every sense of the word. And then listen to The Weeknd’s dark, twisted remix of the same song. It’s a wonderfully weird and twisted marriage. Florence + The Machine excite me like few other pop artists today. The sound is big and symphonic and this record delivers on all of those fronts.

10. Bill Callahan // Apocalypse

I was late to the Bill Callahan/Smog bandwagon. Now that I am there, I am all the way there. Apocalypse is completely brilliant. It’s Mr. Callahan at his best. His striking baritone has never sounded better, and at a brief seven songs, this album delivers. “America!” is one of the most badass songs of the year, while “Drover” tells an unforgettable tale. Callahan is a truly gifted storyteller and this album feels like a gift that just keeps on giving.

9. The Drums // Portamento

I had a natural inclination to hate this album. I didn’t really love the first release from these guys, because I was completely bugged by the buzz and incessant hype they received. My first reaction in a case like this is to completely write something off before even experiencing it. I greatly detest hype. The Drums obviously didn’t become a victim of their own hype. Behind the sunny, 80′s-influenced sound, there is a real darkness that I appreciate on this album. It’s one of the darkest pop albums of the year.

8. Jay Cue // Pyramid Life

Jay Cue was my gateway drug. He was my entry into the weird and wonderful world of Georgia hip-hop collective Nobody Really Knows (NRK). And avid readers of this blog are already aware of this (from the countless introductions and interviews I did with the various group members). To be blunt (pun intended), these dudes scare me shitless. They are all waaaay younger than me and they are already delivering incredibly thought-provoking artistic statements. Hal and Jay’s production on this album is stellar. The collection of beats are really unrivaled and all this awesomeness grabbed me at first list. Listen to album opener “Pyramid Life (Intro)” and I guarantee you will catch the damn disease. I am unbelievably excited to see what comes next from NRK. Tyler, Hal, Murdock, Gloomy, Randy, Luwees, Andre, Jay, Quince, Mables, KC, Foreign, and even Lynard, I can’t wait to see what comes next. And that’s not a tax. #Smugtweet

7. M83 // Hurry Up, We’re Dreaming

Simply put, this is the most epic album of the year. And it’s not even close. There is nothing that rivals Anthony Gonzalez’s masterpiece. “Midnight City” and “Steve McQueen” are two of the best songs of the year. At 22 songs, this album feels like an event. It’s one that you need to blast in your headphones and then get lost in its grandiosity.

6. Tom Waits // Bad As Me

I randomly had a friend introduce me to Tom Waits in high school. He said his dad was a huge fan. Never before, had I heard something so weird. And that voice. Holy shit! There is nothing like that. With his first studio release in seven years, Mr. Waits added another incredible brick to his already strange and wonderful building.

5. The Weeknd // House of Balloons/Thursday

Toronto R&B artist The Weeknd (also known as Abel Tesfaye) dropped House of Balloons randomly and without warning on my birthday in March. It felt like one of the greatest birthday presents ever. Never before had I heard music so slinky, creepy, sexy, and utterly (can’t find the proper adjective here). Listen to these albums and you feel like a dirty voyeur. We are all complicit.

The Weeknd // House Of Balloons [mp3] from House of Balloons

4. Frank Ocean // Nostalgia, Ultra

I became an Odd Future junkie during the summer of 2010. I downloaded all of their mixtapes off their Tumblr and I fell in love with the careless attitude and the fearlessness. And then I heard Frank Ocean sing the chorus on MellowHype’s “Hell.” He offered a completely different aesthetic and he showed me that it was lazy and pointless to try to categorize/pigeonhole OFWGKTA. (Ocean even retweeted me once.) And when he got fed up with the record business, he dropped his debut randomly on his own Tumblr. This album features him crooning smoothly over Coldplay and The Eagles. And then he offers up his own soulful brand of R&B.

3. A.A. Bondy // Believers

Mr. Bondy’s first two albums were nice and somewhat forgettable for me (and I am not sure why). But this third album, released in September, just hit the right spot, the right nerve. Bondy has an unmistakable delivery and voice.

2. Drake // Take Care

I know I probably shouldn’t like this album as much as I do. His previous effort, last year’s laughable Thank Me Later, is a steaming pile of horseshit. It delivered on none of the promise he showed on his wonderful mixtape So Far Gone. This album, his second proper release, delivers. Drake’s frequent collaborator, producer Noah “40” Shebib offers a wide range of understated beats that perfectly blend with Drake’s singing/rapping combination. The album is all about vulnerability and confusion, but at the same time, it is about excess and fame. It’s an intoxicating blend, especially on songs like “Marvins Room,” “Make Me Proud,” and “Cameras.”

1. WU LYF // Go Tell Fire To The Mountain

This album was a happy accident for me. And that’s the best kind of musical discovery. At its core, WU LYF present and represent an extremely silly anarchistic aesthetic. And for some reason, I totally buy in. I should be smarter than this. I shouldn’t like this album and this corny message as much as I do. These guys are my Bieber. This album moves me like few others ever had and it hits me in an extremely emotional way. And for that simple reason, this is my favorite album of 2011.

And in the words of Selena Gomez, don’t forget to dream out loud!

Wu Lyf – We Bros by WU LYF

The Weeknd is fucking awesome. Florence + The Machine are equally awesome. Separately, they represent two of the more original and exciting voices in current music. But they aren’t necessarily partners that you would expect to complement each other in a pleasing manner. Toronto R&B act The Weeknd (Abel Tesfaye, et. al.) is dirty, kinky, and dirty. Florence, meanwhile, is known for being more ethereal and soaring. Both have unmistakeably awesome voices. It isn’t a marriage you would expect, but it is one that undeniably awesome.

Florence’s current single, which is due out on iTunes on Oct. 2, is called “Shake It Out.” It is the second single from her forthcoming second album, Ceremonials, which is slated for release on Halloween. Between now and then, The Weeknd’s Abel Tesfaye has provided this dirty remix of it. Gone are the arena-filling qualities that Florence has become known for. Her soaringly huge vocals are still present, however. The Weeknd has dirtied (a word/variation that I am constantly reworking and repeating in this post, but it feels perfectly suitable) Florence, but in a wonderfully beautiful way. The instrumentation is beefier and thicker. It’s weird to hear Florence’s voice sullied over the type of thick beat that we have come to expect on The Weeknd’s two mixtapes from this year. This is one of those left-field marriages (like Lykke Li and Tyler, The Creator from earlier this year). You can’t argue that it isn’t interesting.

Florence + The Machine // Shake It Out (The Weeknd Remix) (Radio Rip) [mp3]