There’s always a twang of regret that accompanies logging in to our oft-neglected inbox. How much good stuff am I missing simply because of our backlog of messages? I make a point to visit more often, then I get busy with leading the rest of my life, and that promise inevitably falls by the wayside. It’s been worse of late since I haven’t even been writing, so my efforts to catch up will prove even more futile.
Yesterday’s renewed interest in finding something new to latch onto, however, led me to this Delaware outfit within minutes of searching, which led to me pre-ordering their new EP on vinyl before I’d finished the first song.
(A brief lesson in grammar: Fiancée is a female who is engaged. Fiancé, as this band calls itself, is a male who is engaged.)
“Ivy” is the penultimate track on the band’s debut EP, effectively titled EP1, and it encapsulates the band’s aura perfectly – a jangled, absorbing take on shoe/dream-pop/gaze that strips down the reverb to the minimum requirement necessary in order to keep that descriptor. By doing so, the songs become much more breathless than their contemporaries in the genre, and it gives the whole affair an almost ghostly sheen.
EP1 will be available on October 7th, just in time for any autumnal get-togethers you may be planning, or for putting all your decorative gourds on display, motherfuckers. Pre-orders are being taken now through SQE Music.
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This song from David Bazan represents an apt bookend to yesterday’s post about the new CRUISR song; the fourth song of his current project – in which he releases two songs on the first of the month, starting in July and running through November – “Sparkling Water” is fully immersed in the sort of seasonal depression that the coming colder weather represents.
It’s a story spun from the perspective of a new marriage, and is completely devoid of the celebratory nature that accompanies that kind of life event, which is apropos when it’s considered along with the vast majority of Bazan’s output. The song itself never rises above a dull ache; the narrator detailing the relationship in the most level manner possible, which makes it that much more heartbreaking.
On a personal level, the four songs that Bazan has unveiled to this point in the project are the most compelling he’s released in a long time. Bazan is at his best when he seems as though he’s personally experienced in the song’s content, though I don’t wish that he actually experienced all of the things he’s put into song.
The monthly series, with the next pair of songs due this coming Monday, can still be purchased digitally and as individual 7″ singles, but you’re out of luck if you want them all as a 7” vinyl package.
The inevitable change of seasons is creeping into the forefront, with the calendar ready to turn to September, classes starting for teachers and students alike, and fantasy football drafts taking place nationwide. The days are getting noticeably shorter, and the mornings are covered in a blanket of cold and dew as I log running mileage through my neighborhood.
Those facts, however, are immaterial with the recent release of CRUISR’s new song, the title track to their upcoming EP, All Over. The Philadelphia-based outfit has expanded and contracted in the time since their self-titled, debut EP was released back in 2012. They’ve gone from being the solo project of Andy States to a full-fledged band, and with their recent signing to Vagrant Records, they’ve dropped the ‘e’ from their name as well, in deference to another artist utilizing the same moniker.
What hasn’t changed from then to now, however, is the band’s ability to craft sunshine-y pop, as evidenced by “All Over” – a song so infectious that it lingers in your head well past the song’s three minute running time. As Summer 2014 draws to a close, “All Over” is the perfect accompaniment to those remaining gasps of breath unfettered by obligation.
All Over will be available in its entirety on September 23, but if you want to own the song for yourself right now, you can pre-order the EP and get it instantly.
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My ears haven’t been to the ground much lately to hear what’s coming up from under it, so Sylvan Esso’s forthcoming album has been revelatory to me this past week. “Coffee” is the first – and obvious – single from the album, and it’s indicative of what listeners can expect from the rest of Sylvan Esso – sparse electronic flair from Megafaun’s Nick Sanborn underneath Amelia Meath’s compelling vocals.
This is an album of such contrasting ideas that somehow work seamlessly together, spinning out in directions this listener never expected. The first song, “Hey Mami” made me think I had the duo’s style pegged – up until the minute-thirty mark when the wobbling bass line kicked in and shot any pigeonholing I had in mind straight to hell. Unconsciously I found myself holding my breath at various points during the album’s nearly forty minute run time, as if any exhalation at all would blow the entirety of what had come before it away, drifting into the ether.
Sylvan Esso is a wholly refreshing effort that maintains an air of the unpredictable, even after repeated listens. I’m still finding myself surprised after a half-dozen listens or so, and coming from me, that’s saying something.
Sylvan Esso is out next Tuesday – May 13 – through Partisan Records.
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It’s been three years, nearly to the day, since I first heard Vacationer’s fantastic “Trip.” Their debut album, Gone, released in 2012, was one of my personal favorites of that year – all smoothed over like sea glass and perfect for backyards and sunshine.
Now, I’m not sure that a band that bills itself as the “Eastern Seaboard’s Foremost Relaxation Specialists” is going to stray significantly from the niche they have clearly carved out for themselves. And with this new track, “The Wild Life,” the band is still perched barefooted on that new-tropical branch. But what had once sounded like a respite from whatever else was happening in the music world now sounds like a warmed-over revisiting of the path they’ve already led us down, imploring the listener to opt for abandoning plans instead of tending to whatever responsibilities they might have.
Is it catchy? It is decidedly so. Is it groundbreaking? Outlook not so good. That’s not to say the rest of the album is going to be the same, but with this as the lead single, my hopes aren’t particularly high.
Relief, Vacationer’s sophomore effort, will see the light of day on June 24th through Downtown Records.
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