Category Archives: Cover

[mp3] Saskatchewan // Cabin Fever + Last Christmas

saskatchewan lastchristmas [mp3] Saskatchewan // Cabin Fever + Last Christmas

I don’t have a good explanation for why this particular post on Saskatchewan is so tardy, but as is somehow frequently the case, I’ve lucked into selecting a time when there is an additional bit of topical news to spruce up the mention. I’ve written about the Orlando based, Canadian province tribute band previously when mentioning their track “Beast Coast” this past summer, and used words like languid and breathy. They aren’t really a tribute band, but those adjectives still apply to a (no longer really) new A and B side affair they’re calling a 7″ sans the wax. According to the band it’s simply a digital 7″, but these tracks are the finishing touches for a pending physical release that will go by the same name. I prefer the second track, entitled “Cabin Fever.” It starts out sounding like a Joywave song about a Canadian city that just regained a hockey team, before veering off into its own direction with echoing vocal harmonies, subtle synths and an interesting drum beat. The title track is no slouch either, and both reside in the hazy dream pop realm the band has hinted at previously.

[mp3] Saskatchewan // Cabin Fever

As for the topical bit of news, on the band’s site there is a large picture of George Michael in a wondrous sweater, signifying their cover of the Wham! Christmas classic “Last Christmas.” Suitably within their own sound, the cover is also surprisingly true to the original. I won’t say much else and will leave the rest to you.

[mp3] Saskatchewan // Last Christmas

At the band’s Bandcamp page there are some more songs for $yourchoice, including the title track of the new digital 7″, as well the previously mentioned “Beast Coast.” Be sure to check out the band’s site for some other choice nuggets.

Saskatchewan // web | Bandcamp | Facebook

[mp3] Bastille // What Would You Do? (City High cover)

bastille [mp3] Bastille // What Would You Do? (City High cover)

After hearing and subsequently putting Walter Sobchek’s remix of Bastille’s “Flaws” on repeat sometime over the summer, I went back to the original track and did the same thing.  I even ordered myself the vinyl single all the way from Young & Lost Club in the UK, ignoring the totally unfavorable exchange rate for a song that has brought me a lot of joy over the past few months.

Last week the London artist sent out his cover of the 1999 City High track, “What Would You Do?,” which had been relegated to the recesses of my brain.  It earned the original group a Grammy nod, and while it might not garner Bastille the same hardware nomination, it’s certainly an interesting take on a track that was everywhere back when it was released.

In other, non-cover related Bastille news, his new EP, entitled Laura Palmer, will be released in the UK on November 14th.  I’m not sure if it will be out in the States that week, but you can pre-order it right now on iTunes if you have access to the UK store.

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Bastille // What Would You Do? (City High cover) [mp3]

[stream] Lotus Plaza // Where I’m Going (Cut Copy cover)

cutcopy whereimgoing722art [stream] Lotus Plaza // Where Im Going (Cut Copy cover)

Lockett Pundt may be the most integral part of Deerhunter, perhaps more so than Bradley Cox. Coming from someone who considers Deerhunter his favorite band, that may or may not be saying much depending on your perspective. Considering I also adore Atlas Sound, Cox’s Pundt-less side project, I think it says a lot.

Pundt – under the guise of his own side project Lotus Plaza – recently covered Cut Copy’s “Where I’m Going,” for a 7″ featuring two covers of the track done up by a pair of bands (also Architecture In Helsinki). If you question anything stated in that first paragraph, one listen to the cover will remedy all doubts. A gorgeous, slowed down take, the version sounds like vintage Pundt-styled Deerhunter with a relaxed several minute long outro that is superb.

Where I’m Going (Lotus Plaza Cover) by cutcopymusic

You can purchase the 7″ here. I strongly considered it myself, though it’s a bit pricey.

[mp3] Tennis // Tell Her No (The Zombies Cover)

Tell Her No [mp3] Tennis // Tell Her No (The Zombies Cover)

Every so often there’s a release that seemingly united the entire music blog world; yesterday it was the announcement of a new single from Tennis – a cover of The Zombies’ “Tell Her No.”  The information disseminated in a sort of trickle-down manner; it would be interesting to have watched the order that posts went up in.  It probably would have provided a fairly clear cut picture of the hierarchy of blogs.  True to form, we’re sliding in a day after the announcement with our own post, which is why we remain firmly entrenched at the bottom rung.

The announcement of the single also came with some interesting information: that the single was produced by Patrick Carney – drummer of The Black Keys – and that the single would be getting a vinyl release through the always sharp Forest Family Records.  That hasn’t yet gone up for pre-order, but you can bet that when it does it will go quickly, so keep your eyes peeled.

The song itself, if you know what Tennis does at all, is a pretty good representation: upbeat, jangly, girl-fronted pop.  They’re on a covers kick between this release and the last song they put out, but I don’t think we’ll hear anyone complaining.

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Tennis // Tell Her No (The Zombies Cover) [mp3] from the forthcoming Tell Her No 7″

[video] jj // Your Love

There’s something about The Outfield’s classic “Your Love” that speaks to all ages. I have firsthand knowledge of this, as I put the song on a mix cd a few years back that somehow ended up in the hands of my uncle. He told me a few weeks later that his three kids loved the mix, and one song in particular. While I don’t quite remember what songs I included, I’m certain it was rife with new classics and sprinkled with a few nuggets of peculiarity, such as The Outfield. “Your Love” was in fact the song my young cousins adored so. When news of jj’s Elin Kastlander covering the song hit the blogs, I was eager to hear her take. It’s an emotion filled acoustic slant, and it’s quite beautiful. Also beautiful is another take on the track from Bon Iver, recorded live, which I’ve included below for good measure. If you’ve never had a chance to connect with the song, listen to all three versions if you can, and just try to get it out of your head subsequently.