Monthly Archives: November 2009

Rogue Wave – California

roguewave Rogue Wave   CaliforniaI’ve never seen the Pacific Ocean.  I’ve been west – out to Phoenix and up to the Grand Canyon, but I’ve never been to the coast.  This coming summer I’m the best man in a friend’s wedding in Portland, Oregon, so I’ll get my chance; until then, I’m busy holding onto it as a kind of personal Manifest Destiny.

This song feels to me like the process of getting to California, despite its less than flattering take on the state.  This song is the middle of a long drive, lost somewhere in the Central Plains, forging westward.  It’s skies that are larger than I’ve ever seen, and mountains that pierce the clouds.

Rogue Wave – California (mp3) from Descended Like Vultures Rogue Wave   California

Beach House – Norway

beachhouse3 Beach House   NorwayWhen I first heard of Beach House last year, it was in the same breath as Fleet Foxes – drawing comparisons between the two groups.  I never heard more than a single song (“Gila”) from their second album ­Devotion (and none from their debut), but that single cut didn’t remind me of Fleet Foxes in the slightest.  And it didn’t register enough to warrant any further listening.

But with their new single – the breathless “Norway” – I’m intrigued.  There’s a current that runs through the track – an obvious buzz that moves in and out of the foreground of the track.  It gives a base to the track’s airy vocals and jangly guitars.  Beach House’s new album – Teen Dream­ – is due out in January 2010, and it’s their first for Sub Pop.  It’ll be one to look out for if “Norway” is any indication.

Beach House – Norway (mp3) from the forthcoming Teen Dream

Mel Torme – Comin’ Home, Baby

an education Mel Torme   Comin Home, BabyMy girlfriend and I went to see An Education the other night; while the social mores of 1960’s Great Britain were interesting to observe, overall, the film was kind of disappointing.  Peter Sarsgaard was just kind of creepy, but the female lead – Carey Mulligan – was fantastic.  If you were interested in seeing it, I’d recommend waiting until it comes out on video.

Despite my dislike for the film, there was one scene in the film that used this fantastic song that I had to find.  The scene is a run-of-the-mill early Sixties dance scene, where the dancing seems to be all arms, but in it, they use what I now know to be Mel Torme’s “Comin’ Home, Baby.”  It doesn’t rescue the film, but it makes up for a bit of the prevailing awkwardness I felt throughout.

Mel Torme – Comin’ Home, Baby (mp3)

1000 Minutes: Andy #39

 1000 Minutes: Andy #39I wrote today’s post in two separate parts, and both songs ended up being rather depressing.  That wasn’t intentional – especially this week when the focus is on family and giving thanks.  It must be some cruel cosmic thing that is forcing me to be somewhat disheartened in my writing, despite the fact that I’m not in any facet of the rest of my life.

This will be my last 1000 Minutes post for 2009.  It’s been an interesting exercise so far, to be sure, and spreading it out forces me to really examine what it is I actually enjoy most rather than what I’m into right-at-this-second.  By the way, this is my last 1000 Minutes post because we’re going to start our “Best of 2009″ posts next Monday and take those through the end of the year.  Be on the lookout for our list starting next Monday.  And if you just want to catch up on what I’ve been talking about for the past year, you can review everything here.

79. LCD Soundsystem – Someone Great (mp3) from Sound of Silver 1000 Minutes: Andy #39 (6:26) [Time Remaining: 627:22]

It probably would have been somewhat easier to write about “Daft Punk is Playing At My House,” but the winding, blip-filled, somber track that is “Someone Great” is far more affecting.

I’m certain that there is a specific person and/or meaning to this song for James Murphy; I’ve read speculation about whom the song may have been written, but the subject matter is easily transferable, and that’s what makes it so spectacular.  On a personal level, my grandmother passed away the month prior to the release of Sound of Silver, and “Someone Great” was immediately a favorite then, and it continues to be one today.

80. Patty Griffin – Rain (mp3) from 1000 Kisses 1000 Minutes: Andy #39 (4:10) [Time Remaining: 623:12]

While perusing one of my favorite blogs the other day, I ran across a post about Patty Griffin.  In the comments on the post, someone mentioned that Ms. Griffin’s album 1000 Kisses should be “required listening.”  And while I have listened to it – quite often – I played it through again to remind myself.  It’s an overwhelming album – filled with themes of loss, longing and death – and it’s beautifully written.

“Rain” leads the album off in stunning fashion, developing slowly for the listener.  Griffin’s alto trembles, starting softly and becoming much more dynamic as the song continues.  Griffin is an impeccable songwriter; it would be hard for me to think of someone who can command a listener’s attention as well as she does.

Taking Back Sunday – You’re So Last Summer

 Taking Back Sunday   Youre So Last SummerAround 02/03, when it was in full swing, I tried to avoid the whole screamo movement (or whatever the bands want to be called).  It just wasn’t for me.  Bands like Breaking Benjamin, Thursday, et. al just weren’t personally compelling.  I didn’t have much in my life that needed to find that kind of an outlet, I guess.

But the one song that’s stuck with me is Taking Back Sunday’s “You’re So Last Summer.”  It’s a scathing retelling of the end of a relationship, and it’s appropriately angry and mean, and just about everything I’d want to say to a person who had scorned me to make them cry on impact.

Granted, that situation hasn’t ever presented itself to me, so I guess I should be thankful.  But I have it on the ready, just in case it’s called for.

Taking Back Sunday – You’re So Last Summer (mp3) from Tell All Your Friends Taking Back Sunday   Youre So Last Summer